Description of the painting by Gustav Klimt “Salome” (1909)

Description of the painting by Gustav Klimt “Salome” (1909)

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The artist, who created the canvas with the image of Judith, 8 years later embodied the next archetype of the fatal beauty not in the form of a biblical character, but in the guise of his contemporary - an inhabitant of the Austrian capital, as indicated by her fashionable outfit and jewelry. This ambitious and independent woman, at the same time mysterious, charming and fatal, puts herself on a level higher than the men who admire her.

Klimt interprets the Old Testament story about the righteous widow of Judith, who dared to act ascetic to save her native city from the Assyrians. That is why the canvas acquired a different name - "Salome", obtained in honor of the notorious New Testament temptress.

The picturesque concept of the painting is adjacent to the arts and crafts. Sensations from reality served only as an incentive to create a canvas that has nothing to do with its essence. Images and realities have undergone stylization in the spirit of modernism. As a background, the painter, as usual, used a planar ornament with a small pattern. The antithesis to this background was the ephemeral, spatially interpreted elements of the image - the face, shoulders and chest of the model, characterized by a peculiar ocher-pink color, emphasized by shadows that add volume, and a feverish blush on the cheeks. The eyes under the gracefully withdrawn, almost fused eyebrows eyebrows are half-covered, the brick color of lipstick aggravates the impression of a fatal woman.

The artist emphasized the unusual appearance of the heroine through many details. A wide-brimmed black hat attracts the attention of the viewer, from under which dark brown hair is gracefully laid in an exquisite hairstyle. On the neck of the heroine is an expensive necklace decorated with poppies. Hands with an abundance of bracelets are convulsively squeezed on a hip.

The artist limited the outlines of the heroine's figure to a generational image, with the lower part hidden by a long robe with a bright black and white geometric pattern. The figure itself is made in a half-turn position, its silhouette is elongated, this gives expressiveness to a dramatic pose, which is characterized by tension, aggravated pathos, nervousness, sensuality, aggressiveness. This was the personal perception of life by the master.

Painting Boyarynya Morozova Surikov

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