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The relationship of Cupid and Psyche is a favorite plot of Bouguereau's paintings. The work is an excellent example of academic painting. Attention to detail, the idealization of the human body, an exquisite palette and eroticism make the canvas a delight for the eyes. There is no edification and morality in it, it calls only to surrender to sensuality, like a young Psyche in the arms of a lover.
The artist’s striving for perfection can be clearly seen in the perfectly calibrated proportions of the bodies. Chanting of physical beauty is reflected in everything: in delicate translucent colors, exquisite gestures, flowing fabric. Slightly elongated and rounded shapes prevail, soft bends, there is no strict vertical and sharp corners.
Special attention deserves the sky background behind the heroes. This is an azure sky radiating divine light, characteristic of the subjects of Renaissance art. It creates lightness and lightness, leads to sublime thoughts, emphasizes the subjugation of the sweet bliss, in which Cupid carries the royal daughter Psyche.
Her head is thrown back, her eyes are blissfully covered, she easily clung to Amur's body and follows the beautiful youth in everything. There is no struggle, regrets and oppressive doubts. The winged Cupid looks in love at the girl and points upward - to where there is no sadness and sorrow, where comprehensive love and goodness rule.
Inspiration, some sweetness, the triumph of youth and life in general soften the frankness of the picture, despite the almost completely naked bodies. She suggests not perversity, but what eternal beauty is. The work is designed to distract from everyday life, heavy thoughts, caress and delight the look. She immortalized the main aspiration of Bouguereau's whole life - to create perfection and generously share the beautiful with the world.
Hell Picture of Botticelli